Abolish slavery but deny citizenship? According to Carroll Smith-Rosenberg ’57, one 19th century author proposed this radical idea.
Sean Fine ’96 and his wife Andrea Nix Fine won an Oscar last night in the best documentary short film category for “Inocente.”
The film tells the story of a 15-year-old homeless girl, Inocente Izucar, who lives in San Diego as an artist and undocumented immigrant. Through painting, she learns to overcome the bleakness of her surroundings.
“When they called our names, it just seemed really surreal,” Fine said in an Oscar interview. Fine said he and Nix Fine were squeezing each other’s hands so tight, he had her nail marks in his palms.
Now 18, Izucar accompanied the couple onstage as they accepted the award.
“She's an artist and all of you are artists,” Fine told the black-tie audience at the Oscars. “We need to start supporting the arts. They're dying in our communities. And all of us artists, we need to stand up and help girls like her be seen and heard.”
At Connecticut College, Fine designed his own major in zoology and filmmaking. After graduating, he directed and shot several films for National Geographic, winning an Emmy in 2000. He and Nix Fine formed the Washington D.C.-based Fine Films in 2003, the year they were married.
They have four scripts in development for feature narratives and just returned from the Sundance Film Festival, where they screened their latest film, “Life According to Sam.”
The production of “Inocente” began three years ago when the Fines wanted to make a film about homeless children. They began looking for a way to tell the story and found Izucar – who was also an undocumented immigrant – through an arts program that works with at-risk kids in San Diego.
The Oscar nod for “Inocente” is the couple’s second in five years. They were nominated in 2008 for “War/Dance,” a documentary about children from Uganda who aspired to win a national music competition. “War/Dance” won more than 18 awards, including Emmy awards for best documentary and cinematography and the Sundance Film Festival’s award for best documentary direction.
“I was so grateful that they encouraged me to pursue my interests. I wasn’t squashed because I didn’t fit the mold. I had freedom,” he said.
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