Connecticut College’s company in residence is one of 30 projects selected from 280 eligible applications nationwide

NEW LONDON, Conn. — David Dorfman Dance, Connecticut College’s company in residence, has received a National Dance Project Production Grant from the New England Foundation for the Arts to support “The Front Line,” a new dance-theater work examining American democracy through the voting process.

David Dorfman Dance is one of 30 Production Grant recipients selected from a competitive pool of 280 applicants from 34 states, Washington, D.C., and Guam as part of the National Dance Project’s 30th anniversary awards.

Each Production Grant project receives a support framework totaling $75,000: $45,000 for creation and development, $10,000 in unrestricted general operating support and $20,000 reserved to support U.S. touring and sharing of the new work.

“The Front Line” is set in a middle school gymnasium transformed into a polling site on an imagined Election Day in 2040. Through movement, music, text and visuals, professional dancers portraying poll workers interact with community cast members playing voters and campaigners as the work explores voting and participation in American democracy.

David Dorfman Dance developed “The Front Line” in part during a May 2026 residency at Connecticut College. Company members rehearsed the work in the Martha Myers Dance Studio, where Dorfman and the dancers continued its research and development.

“The Front Line” is a Democracy Cycle commission through Perelman Performing Arts Center and the Civis Foundation. The work has received additional development support from American Dance Festival, Bates Dance Festival, Connecticut College and Yale Schwarzman Center and is scheduled to premiere at the 2027 American Dance Festival.

The National Dance Project, launched in 1996, supports the creation and U.S. touring of new dance projects. NEFA announced $2.55 million in awards for 60 projects as part of the program’s 30th anniversary, including 30 Production Grants and 30 Finalist Awards. Since its launch, the National Dance Project has invested more than $56 million in artists and organizations and supported approximately 859 choreographic works.

Dorfman ’81 founded David Dorfman Dance in 1987. He returned to Connecticut College as a professor of dance in 2004, and David Dorfman Dance was named the college’s company in residence in 2007. The company will mark its 40th anniversary in 2027.

About David Dorfman Dance

Founded in 1987, David Dorfman Dance creates dance-theater works that incorporate movement, music, text and visual elements. The company has performed throughout the United States and internationally and has served as Connecticut College’s company in residence since 2007.

Fall Weekend also features Olin Observatory stargazing, Shain Library’s 50th anniversary and WCNI’s 75th year

NEW LONDON, Conn. — Connecticut College will dedicate the new 500-seat Fran Shields Grandstand and press box at Silfen Track and Field on Saturday, Oct. 10, with longtime coach and athletics director emeritus Fran Shields P’14 and alumnus and donor Timothy M. Armstrong ’93, former CEO of AOL, attending.

The dedication and ribbon-cutting will begin at 11:30 a.m., following the men’s lacrosse Blue & White Game from 9:30-11 a.m.

The facility was made possible through a gift from Timothy and Nancy Armstrong and the men’s lacrosse program in honor of Shields, who retired in 2023 after 43 years at Connecticut College. Armstrong, a former Conn lacrosse player, graduated in 1993.

The grandstand includes ADA-compliant seating, improved sightlines, dedicated media space and upgraded technology to support live broadcasts and event coverage. Silfen Track and Field is home to the College’s track and field, field hockey and lacrosse programs and also hosts community and youth events.

Shields joined Connecticut College in 1980 as head men’s lacrosse coach and head athletic trainer. He led the lacrosse program to 170 wins, four Top 20 national rankings and an ECAC championship before becoming athletics director. During his 16 years in that role, he oversaw $16 million in facility upgrades, including the Ann and Lee Higdon Fitness Center and the installation of lighting at the turf field and track.

The dedication is among several Fall Weekend events offering visual and feature opportunities for media.

Stargazing at Olin Observatory

On Friday, Oct. 9, the Olin Observatory will host stargazing from 8-10 p.m. on the roof of the Olin Science Center.

Weather permitting, telescopes will provide close-up views of Saturn and its rings, Neptune and its moon Triton and other objects in the night sky. Guests will also have an opportunity to observe through the observatory’s new 14-inch telescope.

Indoor activities will include astronomy videos and opportunities to explore the night sky using planetarium software.

Alex Gianninas, associate teaching professor of astronomy and campus director for CT Space Grant, will be available to discuss the night sky, the telescope and astronomy at Connecticut College.

If weather prevents rooftop observing Friday, the event will move to Saturday evening.

Earlier Friday, Gianninas, Professor Emeritus Leslie Brown and the Thames Amateur Astronomy Society will host a screening of “Small Town Universe,” a documentary about life in Green Bank, West Virginia, home to the world’s most sensitive radio telescope. The screening begins at 5 p.m. in the Olin Science Center.

Shain Library marks 50 years

Charles E. Shain Library will celebrate its 50th anniversary with two exhibitions exploring the library’s history and collections.

“The Noodle Factory at 50: The Charles E. Shain Library 1976-2026” traces the history of the building, which author Kurt Vonnegut nicknamed the “Noodle Factory” at its 1976 dedication.

A second exhibition, “50 for 50,” features 50 books, artworks, manuscripts, photographs and other items from the Linda Lear Center for Special Collections and Archives.

A reception will be held from 5:30-7:30 p.m. Saturday on the Shain Library patio.

WCNI celebrates 75 years

WCNI 90.9 FM will offer behind-the-scenes studio tours from 2-6 p.m. Friday and 9 a.m.-4 p.m. Saturday.

The student-run station broadcasts from the College Center at Crozier-Williams and features free-form programming throughout the year.

Fall Weekend runs Oct. 9-10 and includes athletics, student research, performances, academic programs, exhibitions and tours. Registration and access requirements vary by event.

For the complete Fall Weekend schedule and registration information, visit conncoll.edu/fall-weekend.

Pascal and Rapp, who originated the roles of Roger and Mark, perform Sept. 25 in New London, CT

NEW LONDON, Conn. — Thirty years after originating the roles of Roger Davis and Mark Cohen in Jonathan Larson’s “Rent,” Adam Pascal and Anthony Rapp will take the stage together at Connecticut College for an evening of music and stories spanning their careers and decades-long friendship.

“Adam Pascal & Anthony Rapp: Celebrating 30 Years of Friendship and Music” will be performed Friday, Sept. 25, at 7:30 p.m. in the Athey Center for Performance and Research at Palmer Auditorium. The performance opens Connecticut College’s 2026-27 onStage Guest Artist Series.

Pascal and Rapp met as members of the original cast of “Rent,” which opened off-Broadway in 1996 before moving to Broadway. The musical went on to win the Pulitzer Prize for drama and the Tony Award for best musical and became an international phenomenon.

Their Connecticut College performance brings the two longtime friends together for a concert featuring songs from throughout their careers, music that influenced them and selections from “Rent.” The evening also incorporates stories about the music, their work and a friendship that has continued since their time in the original cast.

Pascal earned a Tony Award nomination for his performance as Roger and later appeared on Broadway in productions including “Aida,” “Cabaret,” “Memphis,” “Something Rotten!” and “Disaster!” He also reprised his role as Roger in the 2005 film adaptation of “Rent.”

Rapp, who originated the role of filmmaker Mark Cohen, also appeared in the film adaptation. His stage credits include “You’re a Good Man, Charlie Brown,” “Hedwig and the Angry Inch” and “If/Then.” He adapted his memoir, “Without You: A Memoir of Love, Loss, and the Musical Rent,” into a one-man stage production and played Lt. Cmdr. Paul Stamets on “Star Trek: Discovery.”

The performance also marks the first onStage season programmed by Connecticut College Director of Arts Programming Jay Silva.

“My goal is to create performances that bring people together while introducing audiences to artists and ideas they may not encounter otherwise,” Silva said when announcing the season. “There is no place I’d rather do that than here at Connecticut College.”

The Sept. 25 performance is the first of five onStage events planned for the 2026-27 season, which also includes The City of Tomorrow, Limón Dance Company, Grammy Award-winning tabla musician Sandeep Das and The Acting Company’s touring production of “A Midsummer Night’s Dream.”

Tickets

Reserved-seat tickets are $30, $40 and $50, with discounted tickets available for seniors, students, Connecticut College employees and Connecticut College students. Tickets and additional information are available through the Connecticut College onStage Guest Artist Series.

Marie Ostby’s “Genres Without Borders” explores how writers transform literary forms amid censorship, political isolation and migration

NEW LONDON, Conn. — Iranian literature has continued to circulate globally despite censorship, political isolation and efforts to restrict cultural exchange. In a new book, Connecticut College professor Marie Ostby examines how writers cross not only national and cultural borders, but also the boundaries between literary genres.

“Genres Without Borders: The Circulation of Iranian Literary Forms,” published Sept. 16 by Syracuse University Press, examines modern and contemporary Iranian literature and the ways writers have adapted, combined and transformed literary genres as their work moves across cultures and national boundaries.

Ostby, an associate professor of English and global Islamic studies at Connecticut College, argues that political and cultural constraints have not stopped Iranian literature from reaching audiences around the world. Instead, writers have reshaped genre and form in ways that allow their work to circulate while maintaining connections to Iranian and Persian literary traditions.

“I wanted to understand how Iranian writers have continued to make their work travel when political borders and censorship are designed to constrain that movement,” Ostby said. “What I found is that genre itself can become a way of crossing borders. Writers reshape literary forms so their work can move between cultures while still maintaining a connection to Iranian and Persian literary traditions.”

Ostby draws on travel writing, graphic narratives and social media alongside traditional literary forms such as the ghazal, tracing how those forms change as texts move among languages, cultures and political environments.

The book examines writers and artists including poet Forugh Farrokhzad, graphic novelist Marjane Satrapi, poet Solmaz Sharif and poet Fatemeh Ekhtesari. Through their work and that of other Iranian writers, Ostby considers how crossing the boundaries of genre can also help literature cross cultural and national boundaries.

The book comes as questions about borders, migration, censorship and cultural exchange continue to shape international conversations.

Ostby’s scholarship focuses on modern and contemporary Middle Eastern literature, world literature and literary theory. Her work has appeared in PMLA, New Literary History and Iranian Studies.

Ostby is available for interviews about the book and topics including Iranian literature, censorship and literary expression, migration and diaspora, world literature and the movement of literary forms across national and cultural borders.

Free public exhibition at The Garde Gallery traces a century of residential life through historical images, resident testimony, architecture and public events

NEW LONDON, Conn. — Connecticut College and The Housing Collective’s Center for Housing Opportunity Eastern Connecticut will open We Live Here/New London, a free public exhibition that traces a century of residential life in the greater New London area and places local housing history in a broader state and national context.

The exhibition opens to the public Sept. 25 and runs through Dec. 18 at The Garde Gallery, 305 State St., New London. Admission is free.

We Live Here/New London looks at housing as the framework of community life. Through historical images, photography, architectural designs, resident testimony and interactive displays, the exhibition examines how communities have lived, how housing has shaped daily life and how New London’s history connects to larger questions of housing access and security.

“Housing is often discussed through numbers, policies and cost, but it is also about memory, design, daily life and belonging,” said Anna Vallye, exhibit curator and associate professor of art history and architectural studies at Connecticut College. “This exhibition brings those pieces together and invites people to look at New London’s housing history as part of a much larger national story.”

The exhibition includes a detailed visual timeline of the past century of housing in New London and the nation; resident portraits; recorded video interviews with local residents, building professionals and business owners; data visualizations and other graphics; a map display of notable historical and contemporary residential architecture; and architectural proposals for future living in the New London area envisioned by graduate students at the Yale School of Architecture.

The physical exhibition will be accompanied by a website and digital publication featuring expanded display content, commissioned essays, more than 20 studies of New London residential history and buildings written by Connecticut College students and additional educational materials.

The project includes contributions from Connecticut College students, alumni and several Connecticut College faculty and staff members.

“New London has always been a small city made up of different people, different neighborhoods, and different housing stories. We Live Here gives us a chance to listen to those stories and ask important questions about who can live here, who can stay here and what we want this community to look like in the future," said Beth Sabilia, director of the Housing Collective's Center for Housing Opportunity Eastern Connecticut. "The partnership between Connecticut College, the community, and the Center for Housing Opportunity Eastern Connecticut makes that conversation richer by bringing together both learning and lived experience."

The exhibition opening will be celebrated Thursday, Sept. 24, with StreetLight, a free public outdoor moving image projection and music event from 7 to 9 p.m. outside the Garde Arts Center and The Garde Gallery, 305-325 State St., New London.

StreetLight will animate the facade of the Garde Arts Center with a real-time moving image and sound collage incorporating original artwork, historical photography, music and video. The event will feature Brisa Azul, a Connecticut College student band.

We Live Here/New London will also include public events, community engagement workshops and exhibition tours at The Garde Gallery, Connecticut College and other downtown New London locations. Program partners include the Garde Arts Center, The Day, New London Landmarks, the Southeastern Connecticut Community Land Trust, the Connecticut Tenants Union, the New England chapter of the Society of Architectural Historians and other institutions.

We Live Here/New London is part of A Right to Housing: Case Study Connecticut Project, funded by the Mellon Foundation. The three-year public scholarship project is directed by Vallye and is a collaboration between Connecticut College and the Center for Housing Opportunity Eastern Connecticut. It aims to build a platform for public research and dialogue around housing access and security through a regional lens on national housing challenges.

The exhibition research associate is Daniela Sheinin, executive director of the Urban History Association. Identity, exhibition graphics, data visualization, and website design and development are by Aarya Kini, Chase Booker, Greg Mihalko and Matt Khinda of Partner & Partners. Exhibit design is by Jessica Chen, Polo Dong, Deirdre McDermott and Nicholas McDermott of Future Expansion Architects.

The exhibit is sponsored by A/Z Corporation. Special thanks to the Garde Arts Center.

The exhibit will be open Tuesdays through Fridays from 3 to 7 p.m. and Saturdays from noon to 4 p.m. It will be closed Nov. 24-28 for Thanksgiving week.

For more information, visit welivehere.site.

What gets lost when women’s lived experiences of pain are not fully heard or preserved?

NEW LONDON, Conn. — Shakita Thomas Kpetay lives with endometriosis. In a new book co-authored with Tamien Elder, the Connecticut College assistant professor of education and Africana studies draws on that lived experience to examine the historical and present-day forces shaping Black women’s reproductive health.

“Remembered and Living Text: Black Women Living With Endometriosis” is part memoir and part call to action. Through their personal stories, Kpetay and Elder examine Black women’s experiences with endometriosis while exploring the cultural, historical and health care systems that shape those experiences.

Kpetay will sign copies of the book from 4:30 to 5:30 p.m. Thurs., Sept. 24, in the Chu Room of Charles E. Shain Library at Connecticut College. The event is free and open to the public.

Published earlier this year by Aya Collective Publishing, “Remembered and Living Text” combines personal narrative, cultural memory and historical analysis. The book centers Black women’s lived experiences as sources of knowledge and asks readers to consider what can be learned by listening closely to people living with chronic illness and reproductive health conditions.

For Kpetay, the project brings together the personal and scholarly. Her research and teaching focus on Black intellectual thought, culture and education, Black feminisms, oral history and critical ethnography. Her work examines how Black communities understand, document and make meaning of their experiences.

“Living with endometriosis has taught me how much can be lost when pain is minimized or when women are not treated as experts on their own bodies,” Kpetay said. “Tamien and I wrote this book to preserve our experiences, place them within a larger history and create space for Black women to be heard on their own terms.”

The book also challenges readers to think beyond endometriosis as solely a medical condition. By connecting personal experience with history, culture and questions of whose knowledge is valued, Kpetay and Elder address broader issues surrounding reproductive health, care and advocacy.

Elder is a certified patient leader, entrepreneur and advocate whose work centers health, connection and community.